There are a number of ideas that seem to pop up again and again throughout the run of
Voyager. From discussions about the mystery of death and the afterlife
to people getting a second chance at life. This section includes some of those recurring ideas
that seem particularly relevant.
People like
seeing stories about death. If that weren't true shows about hospitals and cops
wouldn't be nearly as popular as they are.Voyager sees its fair share
of death in its 168 episodes, and it is around issues of death that the show
offers its most sincere uncertainty.
The one thing Voyager makes
clear is that death and people's beliefs about it are incredibly important.
Harry is careful to not completely shatter the Vhinori's faith in the next
emanation, despite his own beliefs. Janeway allows B'elanna to revisit the Barge
of the Dead, because it matters to B'elanna. Also, when Neelix doubts his
afterlife, he doubts the worth of his life.
Seven faces death when some
of her cybernetic implants begin to fail and the Doctor has found no way to
repair the problem. Her understanding of death within the collective gave her
comfort. As part of the collective, once she died, all of her experiences would
be retained by every other borg drone as part of the collective mind. Now,
however, as merely human, her memories will be lost. Her only understanding of
death no longer fits in her life, and that terrifies her.
The holographic
Doctor also faces death in the form of his holographic family. In order to
better understand his patients and their relationships, he creates a family in
the holodeck. It's too perfect, however, and Lt. Torres adds some randomized
subroutines to make it a little more realistic. As a result the Doctor's young
daughter experiences a sports injury that is untreatable. The Doctor chooses not
to face the pain. A conversation with Lt. Paris, about how pain brings people
together and is part of being human, convinces him to finish the program, and
truly experience the death of a loved one. His experience illustrates the
important role death plays for the living beyond concerns over an afterlife.
Death causes the living to appreciate what's important and strengthens their
relationships as well.
One of the most interesting discussions of death
comes in the episode "Death Wish" which focuses on the Q Continuum. The
Continuum is made up of immortal, all-powerful beings. The most prominently
featured Q is known as "Q." He has a history pestering Picard and the crew of the
Enterprise, and he forges a similar relationship with Janeway and Voyager. A new
dimension is added in ÒDeath Wish,Ó however, when Janeway is
introduced to Quinn, a philosopher in the Continuum who feels he has nothing
else to add and nothing else to accomplish in life and wishes to commit suicide.
Q decides Janeway should make the final call. After a visit to the Continuum and
hearing the testimony of various individuals, Janeway decides itÕs only fair to
let the being end his millenia-long life.
In a later episode Janeway sees the consequences of this decision as the
Continuum is thrown into disarray due to the disruption caused by QuinnÕs death.
Interestingly enough, Q brings an end to these troubles by creating life, for the first
time in the Continuum.
"Death Wish" is, in many ways, a discussion of the meaning of life. Is it
discovery and exploration? Or is it having freedom to sit back, breathe, and do
whatever you want? Is immortality all itÕs cut out to be. JRR Tolkein said The
Lord of the Rings was about people trying to avoid mortality. ThatÕs also a
theme that runs through Harry Potter and seems to have affected Darth Vader.
ItÕs the stuff of myths. The fountain of youth is the kind of thing people dream
about. ÒDeath WishÓ takes that desire and turns it on its head. Would it really
be that great? What would you do with all that time?
Voyager seems to suggest
that immortality can be just as bad as so many view mortality. What's most important
is having meaning in life. If that meaning is provided by science and exploration, that's great.
If that meaning is provided by beliefs in a higher power or an afterlife, that's also great. What's not
great is living without hope or meaning. Beliefs about death often preclude that.
One theme that arises again and again in Voyager is the idea of redemption.
Seven of Nine, a borg drone, who while still very much held captive by hive mind
mentality, comes to feel remorse and guilt over the many lives she helped
destroy and seeks to rectify her dishonored state.
Tom Paris came aboard still under probation at a federation
penal colony for causing the deaths of three people and lying
about it. He was also a self-professed ladies man who had lost
the respect of just about everyone he had ever known who finds acceptance and peace.
B'elanna Torres lived much of her life in fear and distrust brought
on by irreconciled family problems and she comes to accept herself and make ammends with her parents.
The Doctor, who at first activation, is viewed as nothing more than a
complex piece of software, earns the crew's respect and admiration.
Even Chakotay, whose personal issues are rarely discussed throughout the evolution of
the series, began his time on Voyager as an essential terrorist and ended it as
a respected member of Starfleet.
All that's to say nothing of the individual
episodes that dealt with people seeking reprieves from their self or outwardly
imposed chains of bondage:
the man responsible for the death of much of Talax,
including Neelix' friends and family
the Benkaran prisoner that is found to be mentally damaged rather than a murderer
Lieutenant Barclay--the stuttering, socially awkward,
self-esteem challenged engineer who finds confidence and acceptance by finding a
way to communicate with the ship
Crewman Suder, who murders a man
but through mediation and understanding comes to deal with his anger and
overcomes it enough to save the ship from takeover by an alien race
The list goes on. As much as the story is a quest; an oddyssey, it's
just as much a story about redemption; of damaged, hurting, troubled people
finding reprieve and peace because of this lost ship soaring through the galaxy.
That's not to suggest the series is some sort of Christian allegory, but it does
suggest the utopian future Roddenberry envisioned was altered to facilitate
pain, regret, and disappointment, and suggest there might be some sort of
reprieve, whether that be through individual religious and cultural beliefs, or
the healing powers of close personal relationships. But then again, some would
argue whether those two things are really that different.
As has been mentioned, a number of the primary cast of Voyager characters adhere to
a specific religious belief system. But beyond that, a number of those
characters are portrayed as having returned to a childhood faith that they had
turned away from in their youth. We learn that Chakotay fought with his father
about religious ideas and left his father and his traditional beliefs when he
turned to his scientific interests at the academy ("Tattoo"). B'elanna's mother
pressured her with Klingon rituals and ideas, going so far as sending her to a
monastery to teach her honor, causing B'elanna to become nearly repulsed by
anything relating to her Klingon heritage ("Barge of the Dead"). Tom was driven to
hate Starfleet principles and ideology due to the pressure of his admiral father
("Time and Again"), and even Tuvok, at a young age,
rebelled against the Vulcan philosophy of suppressing emotions ("Gravity").
By the time Voyager begins, Tuvok had learned the value to suppressing his emotions and
Chakotay had gotten a forehead tattoo to honor his father ("Tattoo") and had
picked up some ancient traditions such as talking to a spirit guide ("The Cloud").
Throughout the course of the series Tom Paris comes to respect and endorse some
aspects of Starfleet, and appreciate the family it provides him (however his
distaste for the prime directive extends through the length of the series ("Time
and Again," "Thirty Days")). When it comes to B'elanna, she learns to find comfort
and peace with her Klingon half which includes the philosophies and beliefs she
found so "hateful" as a child ("Faces," "Day of Honor," "Barge of the Dead," "Lineage,"
"Prophecy").
Voyager doesn't just depict religion as a facet of many people's
lives, but as something to consider, think about, and grapple with. It also
suggests that often religious beliefs win out in the end and often prove
comforting and worthwhile to people, providing something science and rationality
can or may not.
As mentioned on the "crew" page, there are a number of occassions on Voyager
when characters encourage each other in their religious beliefs. Tom supports
and assists B'elanna in her attempts to learn more about
her Klingon heritage and the role the beliefs might
play in her life ("Day of Honor","Barge of the Dead"). Chakotay encourages Neelix not to throw his
beliefs away because of his near death experience ("Mortal Coil"), and Janeway is excited when
Seven has her spiritual experience ("The Omega Directive"). Neelix is perhaps the most encouraging
person on the ship, fulfilling his role as morale officer. He celebrates holidays people would just as soon
leave forgotten ("Day of Honor") and is always researching the crew's cultural traditions, including religious
ones.
Due to the more anti-religious nature of the earlier Trek series, it would be difficult to see
this theme develop as much as it does in Voyager, but it's interesting nonetheless.
There's a certain curiousity and respect the various characters have for religion, and just because
they don't hold particular beliefs themselves, does not mean that those who have or may find worth
in particular belief systems should be too quick to ignore them.
Almost every character in Voyager, at one time or another, takes their beliefs too far.
Earlier it was argued that Janeway's devotion to science could be deemed religious, as could
Tom's father's love of Starfleet. Every person on the crew, religious or not, puts something first
in their life; something that is most important to them, and may, at some point, prove itself more
important than Starfleet principles.
Tuvok puts logic above anything in "Prime Factors." Voyager encounterd a possible way home, however,
Janeway was morally unsure of whether they could take it. Tuvok went behind her back to get the
technology and attempt it himself. It was only logical, he believed, to do what Janeway wanted to
do but morally could not. Tuvok had no such moral restrictions, so he did it himself.
Tom serves his own sense of morality in "30 Days" and in the process disobeys the
captain, breaks the prime directive, and gets himself demoted to ensign.
The Doctor arguably breaks the prime directive by messing around with a hospital ship's medical
system and poisons a man after he was taken hostage ("Critical Care") because
he cares more about life than rules.
In "Barge of the Dead" B'elanna wishes to recreate a near-death experience in an
attempt to save her mother from Klingon hell, an undertaking very few are excited for her
to take.
Chakotay puts an away team in danger in an attempt to save an anthropoligical find ("One Small Step"),
led by the love of science and discovery that initially led him away from his father and his people ("Tattoo").
There are likely other examples, but in each case a character put their life, their job, and
other people's trust on the line in an attempt to follow what they, personally, believe is right.
In some cases, the choice is validated. B'elanna saved her mother, and the Doctor made inroads in
putting a stop to some very bad medical practices. Tuvok, on the other hand, was firmly reprimanded, and
Chakotay's failure and the trouble he caused were enough to suggest he may have been a little overzealous.
The case of Tom is a little more problematic. Yes, he fails in accomplishing his goal, and yes he is demoted
for a year and a half, but he takes it all gracefully. He also writes a letter to his dad explaining
why he has once again found himself in prison. This time, he explains, he had reasons, and his motives
were honorable. In the end, he appears as a martyr as much as a rebel. In the end it seems that the reasons
behind the extreme actions, and whether or not the actions can be validated are what matters most.
Beliefs can be taken too far or misused. At the same time, rules can be broken,
so long as the person breaking them is willing to face the consequences.
Tuvok could have used logic to justify not taking action. After all, it's logical to follow the captain's
orders. The Doctor could not have rested knowing he did nothing about the injustices happening aboard the hospital
ship. B'elanna would have always wondered about her mother's place in the afterlife. And Tom would have
berated himself for not taking action when he had the chance. As is, he can face himself in the
mirror knowing he stood up for something, and that may be worth more than a higher rank.
One of the most loved aspects of
sci-fi is the ability it has to comment on present day issues and concerns. The
futuristic or otherworldly settings allow an amount of distance and
science-fiction is able to mimic real world problems in a different world,
highlighting concerns and shedding light on things that are often overlooked.
Sci-fi often provides a fresh perspective. Voyager does that in a number of
episodes. Two in particular, seem to comment on the culture and stubbornness of
the religious right: "Distant Origin" and "Blood Fever."
In "Distant Origin" the ship is observed by a dinosaur like race named the Voth.
One of the members of the species, Gegen, upon researching humans, believes that
Voth and Human originally evolved from the same species. Janeway and the Doctor,
after doing some DNA research, determine that the Voth scientist Gegen is
correct in his theory. The two species are, in fact, related.
The problem arises when Gegen goes on trial in front of the Ministry of Elders.
He presents his findings but they say his Òdistant origin theoryÓ contradicts
their entire history and doctrine. They ask Gegen to refute his findings. He
refuses and Chakotay supports him with evidence Voyager has discovered. In the
end, however, Gegen and the entire ship of Voyager is threatened with
imprisonment if Gegen does not rescind his theory, so he does.
It's difficult to watch the episode without drawing parallels between the Voth
disagreement and discussions that appear in the US. The most obvious parallel
may be to Galileo and the Catholic Church, as he was asked, like Gegen, to
recant on his theory to appease the church. But there's also a more contemporary
parallel to the current debate between evolution and intelligent design. No
oneÕs trying to kill people regarding their beliefs, but there are many
Evangelicals who scoff at the idea of evolution and are annoyed it is the only
thing being taught their children in science classes. And there are, of course,
scientists like Gegen, constantly uncovering new information that doesnÕt always
easily fit into a Fundamentalist view of the history of the world. Considering
this viewpoint, Voyager obviously comes down on the side of the scientists,
offering a rather interesting critique of the ongoing faith vs. science debate.
Another episode that offers a critique of conservative ideology is "Blood Fever."
This episode deals with Pon Farr, a condition experienced by grown Vulcans every
seven years in which they experience the intense desire to mate. The most
advisable solution cure for the imbalance is for the afflicted to Vulcan to
fulfill their desires, however, if that's not possible it may also be alleviated
through a fight for a mate or, potentially through intense meditation.
The thing is, while Pon Farr happens to every Vulcan every seven years it is
never discussed. Thus, when Vorik undergoes his first Pon Farr while aboard
Voyager, not only does he not have with him the woman to whom he was engaged to
marry, he also has no understanding of what exactly will happen to him during
this uncomfortable moment. Due to his ignorance he unintentionally begins a
mental mating bond with B'elanna. She breaks the bond immediately, but not until
she contracts the condition.
The bulk of the episode focuses on B'elanna's struggle with the condition while
trapped in a cave with Tom Paris with whom there was an increasing sexual
tension. However, a scene between Tuvok and the Doctor and another scene between
Tuvok and Vorik bring up interesting points about the negative affects of being
too conservative when discussing sex. A point the Doctor drives home when he
says, "I fail to see the logic in perpetuating ignorance about a basic
biological function."
That's not to say the episode is promoting sleeping around or anything of the
sort. In fact the way sex is actually depicted is rather conservative. Despite
Tom's affections for B'elanna, he refuses to "help her" because he doesn't want
to break her trust and ruin any chances of an actual relationship. And in the
end, neither B'elanna or Vorik cure themselves in the traditional manner.
Rather, the resolution is a hand-to-hand fight. It's an interesting episode that
may have had no broader intentions. Nonetheless, it provides a somewhat convincing
argument for intelligent, responsible and open discussions of sex.